Spiderman III

may062006_spiderman.jpgThree words: Too many plots.

Let me explain why I think that’s what did this movie in. See, movies, or all story telling for hat matter, has to have a main plot. The chief character struggling to maintain his relationship. Or having to face a formidable enemy. Or needing to keep his job and sanity together whilst hurdle on top of hurdle are forced his way.

In retrospect, that’s what Spiderman I and II were pretty good at. Classic, simple and effective story – telling. A simple, ordinary guy with not a care in the world is thrown into a situation where he needs to deal – and in the process, develop maturity and strength of character in a hurry. THAT is what the drama is about Spiderman (as opposed to out – for – revenge Batman or born – to – be – a – hero Superman). EVERYTHING ELSE, as I’ve said so many times before in other reviews, is secondary to the chief protagonist’s struggles. The subplots, the pretty girl, the effects (MOST ESPECIALLY the effects), and all others are all secondary to the main story.

But the problem is, which plot was the main one? To be honest, until now, many days after I caught the first showing not only can I not discern which is the main story, but neither can I recall the details as well, obviously because there was far too much it wants you to remember.

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Review of Wild Hogs

apr302007_wild_hogs.jpgAs far as I know, people either hate or love John Travolta. And I don’t blame them. This is the direct result of producing a classic like Staying Alive, then dropping off the planet and getting listed in the celebrity ‘whatever happened to..?‘ list for a decade or two. Then you come back with Pulp Fiction, and then produce nonsense like Swordfish or that ghastly Face Off. It’s either – or with this guy. A producer of terrific, culture shaping hits or toilet blockage material, with a deep chasm separating the two.

So when I watched Wild Hogs, and saw him looking like he’s actually having some fun, I realized I was having fun too. Not because it’s got a terrific plot or that it’s amazingly funny or that it changes the world of comedy or any of that. Rather, the movie shows a guy that I can’t figure out having fun. In the process, I am watching a movie of his where I don’t have to figure him out, so I just end up having fun. Does that make sense?

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Wild Hogs

apr302007_wild_hogs.jpgAs far as I know, people either hate or love John Travolta. And I don’t blame them. This is the direct result of producing a classic like Staying Alive, then dropping off the planet and getting listed in the celebrity ‘whatever happened to..?‘ list for a decade or two. Then you come back with Pulp Fiction, and then produce nonsense like Swordfish or that ghastly Face Off. It’s either – or with this guy. A producer of terrific, culture shaping hits or toilet blockage material, with a deep chasm separating the two.

So when I watched Wild Hogs, and saw him looking like he’s actually having some fun, I realized I was having fun too. Not because it’s got a terrific plot or that it’s amazingly funny or that it changes the world of comedy or any of that. Rather, the movie shows a guy that I can’t figure out having fun. In the process, I am watching a movie of his where I don’t have to figure him out, so I just end up having fun. Does that make sense?

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Review of Pan’s Labyrinth

apr302007_pans_labyrinth.jpgWhat’s obvious to me during the watching of ‘Laberinto del fauno, El’ (Pan’s Labyrinth), is that the performance of it’s chief villain, Capitan Vidal, played magnificently by Sergi Lopez, effectively brings to life the best rendition of a movie villain I’ve ever seen.

To me, the bad guy is always the juiciest part in every film. If I were an actor wishing to prove my mettle, the surest path to this, granted I’d have the talent of course, is to avoid the hero part, which by being so automatically limits one to stereotype. Rather, one should go for the villain part, where you are allowed far more freedom and depth as you portray, explain, and define why this person has become such as he goes about his bad guy ways.

Whilst you may argue that this can be done for the hero as well, the villain, as we all know in real life villains, frequently does not come from the same cookie cutter like heroes are. There are many and varied ways to screw up a person and make him bad. All colorful, usually deeply tragic, all making excellent fodder for a qualified actor to chew on.

You know what to do!

Pan’s Labyrinth

apr302007_pans_labyrinth.jpgWhat’s obvious to me during the watching of ‘Laberinto del fauno, El’ (Pan’s Labyrinth), is that the performance of it’s chief villain, Capitan Vidal, played magnificently by Sergi Lopez, effectively brings to life the best rendition of a movie villain I’ve ever seen.

To me, the bad guy is always the juiciest part in every film. If I were an actor wishing to prove my mettle, the surest path to this, granted I’d have the talent of course, is to avoid the hero part, which by being so automatically limits one to stereotype. Rather, one should go for the villain part, where you are allowed far more freedom and depth as you portray, explain, and define why this person has become such as he goes about his bad guy ways.

Whilst you may argue that this can be done for the hero as well, the villain, as we all know in real life villains, frequently does not come from cookie cutters like heroes do. There are many and varied ways to screw up a person and make him rotten. All colorful, usually deeply tragic, all providing excellent fodder for a qualified actor to chew on.

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Ms. Potter Movie Review

april122007_mspotter.jpgBeatrix Potter in this movie, is an artist and a 32 year old woman forced to bear with the whims of a social climbing mother and a society that has yet to recognize the value of women in, well, any role other than that of the traditional, which in the 1800s was fairly limited. You were expected to remain loyal to your parent’s every whim, you are not allowed to be alone with a man without an escort, higher education was optional and basically you just hung around waiting for someone suitable (in your parent’s eyes) to court you, marry him, have his children and mold your daughters to do same.

That’s pretty much it. A boring, staid and predictable life.

Which can also be said for for how this movie could have turned out. First of all all those first scenes where she starts talking to her drawings could have been interpreted as her going cuckoo. I’m not sure if the director meant that, but there it is. I thought, at the start of the movie, that we were going to deal with a woman who was slightly nuts, and I was worried I’d have to sit through an hour and a half of that.

I’m glad it didn’t.

That’s right. I reviewed Ms. Potter. Now I know most of you didn’t watch it, so read my review. Come on come on click click.

Ms. Potter

april122007_mspotter.jpgBeatrix Potter in this movie, is an artist and a 32 year old woman forced to bear with the whims of a social climbing mother and a society that has yet to recognize the value of women in, well, any role other than that of the traditional, which in the 1800s was fairly limited. You were expected to remain loyal to your parent’s every whim, you are not allowed to be alone with a man without an escort, higher education was optional and basically you just hung around waiting for someone suitable (in your parent’s eyes) to court you, marry him, have his children and mold your daughters to do same.

That’s pretty much it. A boring, staid and predictable life.

Which can also be said for for how this movie could have turned out. First of all all those first scenes where she starts talking to her drawings could have been interpreted as her going cuckoo. I’m not sure if the director meant that, but there it is. I thought, at the start of the movie, that we were going to deal with a woman who was slightly nuts, and I was worried I’d have to sit through an hour and a half of that.

I’m glad it didn’t.

Continue reading Ms. Potter

The Queen Movie Review

april072007_thequeen.jpgDuty first, self second‘ is a powerful statement that befits the (preferred) behaviour of all those seated in power across the world. In fact one would think, the higher and greater the power, the more applicable such a rule. Inasmuch as this is true, obviously the fact of the world at the moment is farthest from that statement.

Herewith then, is a reminder of that statement and the acting out of it’s meaning, served up by Stephen Rears, Michael Sheen as Tony Blair and Dame Helen Mirren as the Queen, in a performance that garnered her an Oscar Best Performance by an Actress in a Leading Role for 2007. An amazing feat and one of many reasons to view this film, and inasmuch as her understated work is a true sight to behold for me, just another reason to view it still.

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The Queen

april072007_thequeen.jpgDuty first, self second‘ is a powerful statement that befits the (preferred) behaviour of all those seated in power across the world. In fact one would think, the higher and greater the power, the more applicable such a rule. Inasmuch as this is true, obviously the fact of the world at the moment is farthest from that statement.

Herewith then, is a reminder of that statement and the acting out of it’s meaning, served up by Stephen Rears, Michael Sheen as Tony Blair and Dame Helen Mirren as the Queen, in a performance that garnered her an Oscar Best Performance by an Actress in a Leading Role for 2007. An amazing feat and one of many reasons to view this film, and inasmuch as her understated work is a true sight to behold for me, just another reason to view it still.

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The Pursuit of Happyness

The Pursuit of Happyness is a movie about a great part of the life of Chris Gardner, a man who went through near – unsurpassable obstacles to reach success in his life – that is, success in the sense that he makes good money by running a profitable business and providing for his family, and unsurpassable obstacles in the sense that he had to at one point – lock the door at a men’s Oakland subway station’s bathroom so he can sleep there at night.

You can imagine that this is a true inspirational, dramatic sobfest, and it is. It leaves no doubt that Chris Gardner, who made his money via the stock market, is a man made of true stern stuff. His determination and single – minded purpose is incredible, regardless of how he is interpreted by Will Smith. And I say that because Will Smith is a truly impressive character just as well, but I’ll get to that a little later on.

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