The show has taken a courtroom drama turn as the legal issues between the brothers are finally threshed out and all in one episode as well. While there had been 3 episodes from the time Chuck managed to tape a confession from Jimmy, this episode closes the issue of Chuck’s attempt to get Jimmy disbarred once and for all.
We are given a short backgrounder on Hector Salamanca’s (Mark Margolis) motivations and a history of his feud with Gus Fring (Giancarlo Esposito). It may seem oddly coincidental that he is delivering profits to the charismatic Don Eladio at the same time that Fring’s profits are delivered there too, but we take it all in stride considering how important the scene is to understanding one of the most powerful individuals in the show (incidentally Don Eladio it turns out is played by Steven Bauer, who is famous for his role in Scarface (!!). I thought I recognized him).
By far however, the scenes indicating that Mike (Jonathan Banks) is getting tired of it all are the most telling of this episode. He is first shown to ask about joining his daughter in law for dinner where he hesitates but gives in eventually. And in another he says how it feels ‘nice to fix something for once’ when Jimmy (Bob Odenkirk) asks him if he fixed Chuck’s door when he pretended to be a handyman. Later on he is shown reading a DIY magazine while at work. Continue reading
I know I’m very late posting this and am doing so belatedly because I just don’t want to skip it. The two things I remember most are below:
A.) Chuck (Michael Mckean) above reminds us all why we hate him. He is condescending in his application of his own self righteous standard onto his brother, who while obviously isn’t the best version of himself still does not deserve it considering he is actually trying to improve himself and win his appreciation.
I enjoy shows that have almost no music, so when Mad Men came out I was beyond hooked. Here was a show that not only dared to de – romanticize the ’60s but even goes as far as relying on great camera work and even greater acting to get their point across, sans any music cues that in my mind serve as a disingenuous way to tell the audience when to pay attention.
Having said that I get chills whenever the music turns on during any of Mike Ehrmentraut’s scenes. Mike is a cool customer, a regular James Bond in sheep’s clothing and when he is engaged in spy like activities I cherish every second. The scene that finally introduces us how he finally ends up at Los Pollos Hermanos via a wide shot with thumping music is a winner. Seeing Gus Fring again is actually refreshing if you can say that about any bad guy, and how he gets wise to Mike is a mystery that will have me thinking about it till next week.